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Spring collection

I love birds.  My husband kind of scowls but laughs whenever I bring anything else bird-themed into our house.  (He gave me bird things for Christmas, though, so I think he’s catching on that they’re not going anywhere.)  And bird stuff is everywhere, so apparently I’m not the only one who loves it.  Again this year I did some bird-inspired pieces in my spring collection for Simply Charming Boutique.

Of course there has to be a little pink & green for our beloved Apple Blossom Festival, too.

Brenda (from the shop) encouraged me to do some more artisan-looking pieces like my Elements line, so there is a larger presence of wirework…

…and birthstone stacking rings that are made to order.

I also played around with some empty sterling bezels on copper.  I could fill them with polymer clay or resin, but I liked how they looked with just the metal.

Happy Spring!

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Since Fall

Hi again!  It has been a while since I updated this so thanks for your patience.  It’s not because all my free time is spent on Pinterest, I promise.

Starting in September I rented studio space downtown close to where my kids go to preschool.  It was glorious being able to drop them off and then walk to work, making jewelry for hours on end without the distraction of the computer or housework (ahem) until my alarm told me to go back and pick the kids up.  I showed you a little of my Sedona line, and after that I did a grouping with Swarovski-set components (like this focal) as part of my Facets collection.

I am still working with colored stone briolettes for my Facets collection as well, and I hated to see this pair of cluster earrings go…
Purple, pink, and orange!
Also I can’t get enough of those big honkin’ Chinese crystals, so I did some long necklaces and wire rings featuring those for the holiday season.
But after Christmas change was in the air.  The pedestrian mall was torn up for an infrastructure upgrade and facelift, and it has been interesting to watch all the work going on just outside my studio.
Cutting down “my” tree, piece by piece

 

Along my commute
I decided not to renew my lease downtown after my spring collection was delivered to the shop, but instead move my tools back home again (for now).

Goodbye, studio

It actually isn’t because of the construction. This is the time of year when I get to focus on other things!  For example, my jewelry friend Judy and I recently played with CopprClay, a copper version of PMC that will likely be paired with turquoise in my Sedona collection in the fall.

I love the torched patina on the left one
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Polishing without polish

Fall is in full swing here (!) and along with decorating with bittersweet and baking apple and pumpkin recipes, my traditions include plugging in the instant-hot-water faucet that I’ve unplugged over the summer.  It was one of the unexpected things when we moved into our house that we’ve really enjoyed.  I can make tea, oatmeal, and hot chocolate in an instant.  I can warm up a baby bottle without the microwave.  And today I found yet another use. 



Wire Crochet set (tutorial here)

I have a few pieces of jewelry that have been in my personal collection for a little while, and try as I might they wind up tarnished.  Normally I use a silver polishing cloth, silver dip, or throw the items into the tumbler to polish up the sterling silver, but these particular pieces contain turquoise and freshwater pearls which are easy to harm with traditional polishing techniques.  And the wirework prevents me from reaching all the nooks and crannies.  I remember back a few years reading about a method using hot water and baking soda, so I tried it. 

I lined a baking dish with aluminum foil, then poured in a few teaspoons of baking soda and salt.  Then I filled it with water from my instant-hot tap (you can boil water separately and pour it in), stirred it up, and put my jewelry in.  It can take a few minutes, but I could see the change right away.  Bright, sparkly silver with no damage to my turquoise or pearls, and no chemicals.

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Leather wrap bracelet

I love making jewelry, but I don’t tend to wear the jewelry I make.  Part of it is because none of my jewelry is sacred, so even if I love something after creating it, eventually it makes its way into my inventory.  Another reason is to avoid what I call the Amway Effect: My friends know I sell things as a business, so if I tried to sell products to my friends they might wonder whether I am only friends with them because they are potential customers.  So if I wear my jewelry it could be seen as advertisement, and my friendships are way more important to me than my sales.  (I have friends who actually give me a hard time for not advertising in this way; I can’t win.)  But my sales are just fine without nagging my friends, and if they want to buy something they know where to shop.  And then I can indulge in other people’s jewelry and support some of my fellow artisans.

Enter the wrap bracelet a la Chan Luu.

I want one, but haven’t found anything like it locally.  On Etsy they cost more than I want to spend, especially since I know how much the supplies cost (or don’t cost, as it were).  So the other day I pinned a tutorial and collected the supplies.  Still in Sedona mode, I chose chocolate brown leather and a silver button, but then I couldn’t decide if I wanted turquoise or bronze beads, so ultimately I decided to make a triple wrap using three different colors of Czech glass.  Not as ambitious as the quint-wrap pictured above, but still more interesting than a single.

So here and there I’ve stolen some precious kid-nap time to create this thing.  About three beads into the thing I was kicking myself for starting with a triple wrap, which meant my sewing thread was about 9 feet long.  Finally as I got to the third color of beads my thread was a reasonable length and I felt like it was easier.  I imagined Vietnamese women laughing at me as they cranked these things out for Chan Luu.  Now I know why the price of wrap bracelets on Etsy is so high, and after putting this much time into it I’m definitely wearing it around for a while.

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The most wonderful time…

This morning was cool and crisp, sunny with a few puffy clouds.  Gorgeous!  Perfect fall weather.  It was my kids’ first day at preschool, and I am renting a space nearby for a studio so I don’t have to drive home between drop-off and pick-up.  !!!

My building

As other parents were taking pictures and hiding tears I made a quick exit and couldn’t wipe the smile off my face.  I walked by the coffee shops to say hi to other preschool moms.  (There will be plenty of time for good coffee; I was already wired.)  I walked to Simply Charming Boutique to check on my Sedona collection and show them some new graduated turquoise strands I bought.  (They are my middle-man, so they know the customers and I don’t.  I like getting a read on things when I can.)  I love being downtown!  Finally I unloaded a box of stuff at my studio, only to realize I forgot to pack my pliers which is like forgetting my hands.  I had been a little disappointed at the thought of being cooped up inside on a day like this anyway, so I drove home and enameled beads with my torch.

Blurry, but you can see some of the colors

For the enamel nerds: I’m testing colors from my sample pack from Rio of Milton Bridge transparents, and I really like that Ruby transparent bead toward the center.  And over to the right there’s Autumn Brown.  And several of the others have Autumn Brown layered over something bright (Turquoise, Nile Green from Thompson, etc.)  Some of the deeper green-blues have Mallard Green in them, another MB I like.

We didn’t have much cool weather over the summer (my bench is in the garage) so it was nice to have a chance to experiment with color layering and bead-gripping techniques.  Torch-fired enameling is tricky for me because I don’t want the bead to rotate on the mandrel, but I do want to get it off easily when I’m finished.  And now I can work on that because it’s the most wonderful time of the year.

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Sedona sampler necklace

When I don’t know what to make, or I don’t have enough of any one component to make a whole necklace, I make what I call a sampler.  It’s not really a sampler per se, more like a charm quilt where every square is made from a different scrap of fabric.  But to me “charm necklace” still conjures up images of plastic charm necklaces from the 80s so I use the term “sampler.”

I digress.  I’m on a turquoise-copper-silver kick right now, so the latest addition to my Sedona line is this necklace.

It started with this pendant, which is a section of copper water pipe with a nugget of turquoise pinned on silver wire.

Pinning, in this case, is using a torch to ball the end of a wire, trapping something on it.  If you use a lame torch like the one on my bench that is really meant for caramelizing the top of crème brûlée, you might burn your stone before balling the wire.  Not that that ever happens to me.  (Note to self: Get the oxy/acetaline Little Torch out of the shed because it would be awesome at pinning.)  I have a habit of losing interest in a necklace once I finish the pendant, and then I just stick it on a chain and call a day.  Either that or my kids wake up from their naps and my creative streak is curtailed.  Anyway, I thought this pinned pipe pendant deserved something more than a chain, something more artful and creative, so I created the sampler necklace.  But then it became so busy and visually heavy that the pendant was better off being showcased on a chain.  And so I made a different pendant, slightly larger and plainer, for the sampler.

This picture was taken in my studio, and I purposefully didn’t crop out my tan line to prove (to my mother who reads this) that I have a dress on.  See that little swatch at the bottom edge?  Also in the background you can see my card catalogues, which make awesome bead-strand storage.  (My local library in Delaware went digital around the same time I was making jewelry there, so I taught beading at summer library camp in exchange for their old card catalogues.)

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Use what you have

There’s a decorating concept called “use what you have” which is a low-budget way of drawing from your current accessory stash to freshen up the look of a room in your house.  It forces you to be creative instead of shelling out money for more components.  I needed to make a grouping of earrings to take to the shop, something to fill in and coordinate with my summer and fall collections, so I challenged myself to draw from the components I already have instead of ordering parts. 

I chose to draw from various sizes of jump rings left over from when I used to sell chain maille kits.  I didn’t want to make chain maille earrings per se, but I did hook rings together using a mixture of different textures to make it more interesting.  Added some goldfill bubble chain and rings into the mix for a bimetal look, and voila.

There are some shaggy loops and subtle nods to Japanese maille, but not really any chain maille patterns. I also cut discs and washers from my precious patterned silver, which I have been hoarding for years.  (Actually, I think it’s considered hoardering since I can order more.  No, hoardering is not the act of ordering multiple drinks right before happy hour ends, but ordering more of the prized items in my bead stash just so I don’t have to use them up.)

What do you have in your (kitchen, closet, studio) that you can use instead of buying more?

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More Sedona

The next pieces in the Sedona series…

Etched copper caps

 

 

Raku glazed ceramic

 

 

 

The last pair is my favorite so far, inspired by what Kristi Bowman did with her copper components.  The copper components have oak leaves and acorns, and sterling silver rivets attach it to the turquoise wheels.

It took me as long to photograph, post, and describe those earrings as it did to actually make them.  This is why I am so grateful to outsource my selling.  That being said, I’m building up my inventory for a fall grouping at the shop, which means these will be sitting in my studio until then.  If you’re dying to have something, let me know.   Earrings are around $28-36 to give you an idea.

A word about Sedona…  Although featuring copper and turquoise, I don’t intend for this line to look “southwestern.”  The turquoise isn’t the bright, clear stuff from Sleeping Beauty mine that is commonly found in inlaid Native American jewelry.  There will be no silver feathers, squash blossoms, or scalloped bezels.  I wanted it to have more of a “western” feel… My inspiration includes horses, their leather tack and silver stirrups, a little bit rustic and rugged.

Here’s a question for the lurkers: Would you wear copper earwires?  For example the raku glazed ceramic earrings above have only copper so I think it might look odd to put sterling hooks on, but I think some people are unable/afraid to wear anything but gold or sterling (which is silver+copper).

Stay cool out there and THINK FALL!

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Sedona debut

Just talking about the copper and turquoise had me itching to make some.  So after the kiddos were in bed last night I had a go.  I have several designs swimming around in my head, and I actually have some paper sketches I made in a frenzy after I *dreamed* about this.  (My dreams tend to vaporize the moment my feet hit the floor.)  Dreaming about jewelry is more of a sickness, really. It doesn’t go away at night like so many people’s jobs.

Enough talk, here are some pictures.

Copper, bronze, turquoise nuggets
Torch-enameled flower buds, copper plate

 

 

Raku ceramic, boro lampwork, copper